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Media & Entertainment

Amazon Prime now comes with a full music catalog of 100 million songs and ad-free podcasts • ZebethMedia

Amazon today announced a new benefit for its Prime members which could lure some subscribers away from other music services, like Apple Music or Spotify. The company said it will now offer Prime subscribers a full music catalog with 100 million songs, instead of the previously more limited selection of just 2 million songs, and will make most of the top podcasts on its service available without ads. In addition, the Amazon Music app is getting a revamp, which includes a new “Podcast Previews” feature that will allow customers to listen to short clips as a way to discover new podcasts they may like. The move is a direct shot at streaming music competitors, especially Spotify, which has been moving into the podcasts market as a means of generating additional revenue. But Spotify’s paying subscriber base is growing frustrated with the fact that they still have to listen to podcast ads, despite paying for the service. Amazon Music’s promise of ad-free podcasts along with a full music catalog could make for a compelling alternative, the retail giant hopes. Image Credits: Amazon Among the ad-free podcasts are shows from top brands like CNN, NPR, The New York Times, and ESPN. Other ad-free shows include the Wondery catalog of podcasts, like “Dr. Death,” “SmartLess,” and “Even the Rich,” and new Amazon Exclusive shows including “MrBallen Podcast: Strange, Dark & Mysterious Stories;” “Suspect: Vanished in the Snow;” “COLD Season Three: The Search for Sheree;” “Killer Psyche Daily;” “I Hear Fear,” narrated by Academy Award-nominated actress Carey Mulligan; and a weekly bonus episode of “The Old Man and the Three,” hosted by former NBA player JJ Redick. The Amazon Exclusive podcast series “Baby, this is Keke Palmer,” from the actress and entrepreneur Keke Palmer (NOPE) also debuts today. Amazon, in announcing the news, acknowledged that Prime Music’s more limited catalog was no longer the big selling point for consumers it once was. “When Amazon Music first launched for Prime members, we offered an ad-free catalog of 2 million songs, which was completely unique for music streaming at the time,” said Steve Boom, VP of Amazon Music, in a statement about the launch. “We continue to innovate on behalf of our customers, and to bring even more entertainment to Prime members, on top of the convenience and value they already enjoy. We can’t wait for members to experience not only a massively expanded catalog of songs, but also the largest selection of ad-free top podcasts anywhere, at no additional cost to their membership,” he added. In addition to the expansion of the service and ad-free podcasts, the Amazon Music app will gain a new look, most notably with the launch of the new Podcasts Preview feature. This allows customers to listen to a short soundbite from a podcast episode to help them make a decision as to whether it’s something they would like. Prime members will use the main Amazon Music app to access the full music catalog, Amazon says. The app also offers standard features like the ability to shuffle-play any artist, album or playlist, stream personalized playlists, download songs for offline listening, and more. The company’s previously broader music service, Amazon Prime Unlimited, is not going away. The service, which costs for $8.99/month or $89/year, will give users access to all songs on-demand in HD (16-bit/44.1 kHz) and UHD 24-bit/44.1 to 192 kHz) quality across all devices. Plus, this premium tier offers millions of songs in the spatial audio format. The changes follow Amazon’s move to raise the annual price of its Prime free shipping program earlier this year from $119 to $139, raising concerns that Prime membership is becoming too expensive — particularly given the current economic climate where consumers are struggling with the cost of goods and gasoline. While Amazon has added other benefits in recent days, like a Grubhub+ membership, a large music catalog could make for a better selling point if it allows customers to cancel another music subscription and make a switch. additional reporting: Ivan Mehta

Google gets into the Halloween spirit with a ghostly multiplayer interactive Doodle • ZebethMedia

If you want to take a break from work or the never-ending news cycle, Google is here to give you an escape. The search giant has launched a new Halloween-themed playable Doodle that opens up to a Snake-like game that you can play with your friends or random players from around the world. The goal of the game is to collect as many wandering spirit flames as you can in two minutes and return them to their homebase. After time’s up, the team that has collected the most spirit flames wins. Here’s the catch: opponents can intercept spirits from one another as they bring them back to homebase. Ghosts that collect the most spirit flames will also unlock special powers, such as speed boosts and night vision. You can host a game and invite up to seven friends to play with you via a custom invitation link or choose to play with randomized players. Google says the team that developed the Doodle build several systems to enable this multiplayer gaming, all running on the Google Cloud Platform. The team utilized Open Match, which is an open source matchmaking framework cofounded by Google Cloud and Unity. Google often uses its Doodles to commemorate historical dates and figures, but sometimes uses the feature to add a bit of fun when it comes to holidays. The new multiplayer Doodle is the sequel to Google’s “Great Ghoul Duel Doodle” from 2018. The 2022 version includes new characters, game maps, special power-ups and more.

Zebra Labs raises $5M to help Chinese celebrities enter the metaverse • ZebethMedia

In June, Chinese pop-punk singer Wowkie Zhang released a music video where he encounters a virtual character in a hyper-colored, animated world that is reminiscent of Pixar films. The avatar, sporting Gen-Z-styled silver hair, a yellow and black oversize sweat, and baggy pants, makes hip-hop moves to Zhang’s catchy, light-hearted tune. The virtual character isn’t a one-off creation; instead, Zebra Labs, which produced the video, is turning him into a piece of reusable intellectual property that can be bought as NFTs on marketplaces and appear in other virtual occasions like video games. The startup is waiting for the bull market to return to launch the NFT project, Scarlett Li, founder and CEO of Zebra Labs, tells ZebethMedia. The aim of Zebra Labs is to “create intellectual property that’s deeply integrated with content” and “run virtual idols like celebrities,” says Li. Some of the avatars it creates are based on real-life stars, while others are original characters. To generate revenues, Zebra Labs cultivates an audience for its idols through short films, images, and social posts and in turn monetizes the fan base. It also licenses its virtual idols to partners for a fee. NFT, which is already being widely used in authenticating IP rights, can be used to better engage fans, reckons Li, who previously helped organize some of China’s largest music festivals. “When you reach 30 years old, you lose interest to explore music, so a virtual environment can jumpstart visualization [of music] again.” NFTs also give emerging musicians a more direct avenue for income. In China, music distribution is in the grip of music streaming giants owned by Tencent and NetEase. These platforms tend to allocate user traffic to musicians already with a lot of fans, “so to live well as a musician, you need to have a million followers,” says Li. “NFTs can change that.” As a veteran of music festivals, Li is excited about the prospect of online concerts. She’s benchmarking against Ariana Grande’s Fornite concert, in which the singer descends into a colorful island in her virtual manifestation with a shimmering silver dress and a glowing white ponytail. Zebra Labs is in talks with several gaming firms to launch virtual concerts for Chinese artists inside a Minecraft-like game and a metaverse platform by 2023, Li says. Zebra Labs recently raised $5 million to advance its metaverse vision. The funding came from the Chinese gaming firm NetDragon and the Japanese conglomerate Sumitomo. Onboarding a Japanese investor, according to Li, can help the startup learn from the country’s long history of IP management, which is exemplified by the success of virtual idols like Hatsune Miku. The company is also backed by SOSV, the VC firm known for its network of accelerators. Following its collaboration with Wowkie Zhang’s music video, which has garnered some 40 million clicks across an array of online channels, Zebra Labs has five other artists in the pipeline. It’s also planning to release a digital twin of Zhang by the first quarter of 2023.

YouTube redesign gives long-form videos, Shorts and Live videos their own tabs on channel pages • ZebethMedia

YouTube is rolling out a change impacting how videos appear on its platform. The company today announced a redesign that now splits video content into three different tabs on all channel pages — one for YouTube’s traditional long-form content, another for YouTube Shorts only, and a third for Live videos, including past, current and upcoming live streams. The changes will allow users to more easily access the types of YouTube videos they want to watch — a move YouTube says it made based on user feedback. In an announcement, the company said it heard from viewers they wanted to be able to navigate to the kinds of content they were most interested in when exploring a creator’s channel page, leading to this makeover. The update also means that Shorts content and Live streams will no longer be found in the main Videos tab on the channel page — something that could appeal to longtime YouTube viewers who haven’t appreciated the infiltration of YouTube’s short-form content into their favorite channel’s video feed in recent months. However, for those who do like watching Shorts, the redesign gives YouTube a way to direct them to more short-form videos. Now, when users are watching Shorts videos in the Shorts feed in the main YouTube app, then navigate to the creator’s channel, they’ll be sent directly into this new Shorts tab to watch even more Shorts content. This could help YouTube boost its views for Shorts as those users will no longer be immediately lost to the creator’s long-form content, as before. Initial feedback from users on Twitter responding to YouTube’s post about the changes has been positive, as users are expressing their appreciation for giving each type of content its own separate category. The redesign follows another major update to YouTube this month which introduced, at long last, YouTube handles in the @username format. These usernames will now allow creators to identify their channel and interact with their viewers across YouTube Shorts, channel pages, in video descriptions, in comments and more. YouTube says the tabbed redesign is rolling out starting today and will be available to all users across all devices in the weeks ahead.  

Now Elon Musk says he won’t fire 75% of Twitter’s staff • ZebethMedia

Elon Musk told Twitter employees Wednesday that he’s not planning on laying off 75% of staff when he takes over the company, Bloomberg reports, citing “people familiar with the matter.” This is a walk back from what Musk reportedly said last week. The celebrity executive denied the previously reported number when he addressed employees at Twitter’s San Francisco office on Wednesday. The “Chief Twit” as his Twitter profile now describes, posted a video of himself walking into Twitter headquarters before the meeting holding a sink with the caption “Let that sink in!” Musk has casually made mention of laying off staff when he takes over Twitter, a $44 billion deal that’s expected to close on Friday. However, immediately losing 75% of Twitter’s staff, or about 5,600 employees, would probably leave the social media company inoperable. Twitter employees are still anxious about expected staff cuts as part of the takeover, according to the report.

Is MrBeast actually worth $1.5 billion? • ZebethMedia

Whenever YouTube superstar MrBeast crops up in business or tech headlines, you’re guaranteed to find a slew of bewildered comments: Who is this guy, and why is a YouTuber such a big deal? Am I old if I don’t know who this is? Why is he younger than me, yet makes so much more money? Is this dude actually giving people free islands, or is he full of it? If you don’t know who MrBeast is, that’s fine. That just means you probably aren’t on YouTube that often, or that you’ve never wondered what happens if you put 100 million Orbeez in your friend’s backyard. But let me ask you this: Have you heard of Cribl, Snapdocs, Sayo Bank or fabric? I haven’t either, those are just some names of companies worth more than $1 billion that I pulled off Crunchbase. According to Axios‘ sources, MrBeast — the 24-year-old whose name is Jimmy Donaldson — is trying to raise $150 million for his business, valuing it at $1.5 billion. It might seem hard to imagine how a content creator’s business can be worth that much, but the North Carolina resident has built an impressive empire. With 109 million YouTube subscribers, MrBeast runs the fifth most subscribed channel on the platform, and he’s the top earner among U.S. YouTubers. Across his five other channels, he’s amassed another 82 million subscribers — and that’s not even counting his three Spanish language channels, which have about 33 million subscribers combined. YouTube is one of the most profitable platforms for creators, because you can earn 55% of ad revenue as a member of YouTube’s partner program. But MrBeast has expanded his business beyond the realm of social media — he has leveraged his brand to open up MrBeast Burger, a ghost kitchen food chain, and a snack company called Feastables, which raised $5 million this year at a $50 million valuation from 776, Shrug Capital and Sugar Capital. But MrBeast’s business model isn’t as straightforward as making videos and raking in ad revenue. His uploads, which center on extreme stunts and competitions for cash prizes, cost an obscene amount of money to make. Last year, his 25-minute “Real Life Squid Game” video required a whopping $3.5 million to produce, including more than $456,000 in prize money. For comparison, the nine-episode “Squid Game” series cost Netflix a total of $21.4 million, averaging out to about $2.4 million per hour-long installment. A few weeks ago, MrBeast said that he spends $8 million per month on his businesses. Just last September, MrBeast told the creator-focused YouTube channel Colin and Samir that he spent $4 million every month. That’s a big jump. Some companies reach unicorn status (a valuation above $1 billion) before even turning a profit. Yet Forbes estimates that MrBeast made $54 million in 2021, so he’s already proven to VCs that they can bet on him to return their investment. “The videos get views even if I don’t upload, so if I really wanted to, I could just live off of the money that the views made,” MrBeast told Insider. But if the 24-year-old wants to grow even more quickly and turn a larger profit, then venture capital funding might actually make sense. MrBeast has already taken funding on a smaller scale from companies like Jellysmack and Spotter. Jellysmack uses AI to maximize top creators’ cross-platform growth in exchange for a revenue cut; Spotter gives YouTubers large sums of upfront capital in exchange for revenue from their back catalog. But as one of the most successful content creators in the world, MrBeast can go even bigger with venture capital. But is going bigger always better? MrBeast’s business model is like a snake eating its own tail — no one is making money like he is, but no one is spending it like him either. He described his margins as “razor-thin” in a conversation with Logan Paul, since he reinvests most of his profits back into his content. His viewers expect that each video will be more impressive than the last, and from the outside looking in, it seems like it’s only a matter of time before MrBeast can no longer up the ante (and for other creators, this has led to disaster). So, if MrBeast’s business really is a unicorn — I’d wager it is — then he has two choices. Will he use the cushion of $150 million to make his business more sustainable, so he doesn’t have to keep burying himself alive? Or will he keep pushing for more until nothing is left?

Disney+ becomes the international home for new seasons of ‘Doctor Who’ • ZebethMedia

Disney and the BBC announced today that Disney+ will be the new exclusive home outside of the U.K. and Ireland for the hit British sci-fi series “Doctor Who.” Beginning 2023, new episodes of the series will be released on the platform in over 150 markets, including the United States. BBC will continue to host the series in the U.K. and Ireland. It’s safe to say that the company is hoping Whovians, new and old, will flock to Disney+ to get their “Doctor Who” fix. Bringing the popular British show to the streamer is a smart move for Disney+ as it hopes to reach 215-245 million subscribers by 2024. Disney+ also plans to expand the streaming service to over 160 countries by next year. In June, the streaming service launched in 16 markets across the Middle East and North Africa. Disney+ president Alisa Bowen said in a statement, “We’re excited by the opportunity to bring new seasons of this beloved franchise exclusively to Disney+ and introduce the show to the next generation of audiences in more than 150 markets around the world. The series is a perfect addition to our ever-growing catalog of global content that continues to make Disney+ the home for exceptional storytelling.” “Doctor Who” will return in November 2023. To celebrate the show’s 60th anniversary, David Tennant, who was the 10th Doctor, will reprise his role as the 14th doctor, replacing the 13th doctor, played by Jodie Whittaker. The next Doctor will be played by “Sex Education” actor Ncuti Gatwa, who will take over after Tennant.

Marvel drops first trailer for ‘Ant-Man and the Wasp: Quantumania’ • ZebethMedia

Marvel released the first trailer for “Ant-Man and the Wasp: Quantumania” today, which gives fans a look at Jonathan Majors as Kang the Conqueror and, for some reason, Bill Murray. The superhero movie will premiere in theaters on February 17, 2023. Disney told ZebethMedia that the film would likely stream on Disney+, but there’s no confirmed release date yet. The company has previously stated that films will get a 45-day theatrical window before they hit the streaming service. As an exception, Disney waited two months to release “Thor: Love and Thunder” since September 8 is Disney+ Day. We estimate that “Ant-Man and the Wasp: Quantumania” will launch on the service around April 2023. “Ant-Man and the Wasp: Quantumania” kicks off Phase 5 of the Marvel Cinematic Universe and will explore Ant-Man/Scott Lang (Rudd), the Wasp (Evangeline Lilly), Lang’s now older daughter Cassie (Kathryn Newton), along with the original Wasp, Janet Van Dyne (Michelle Pfeiffer) getting sucked into the Quantum Realm. The trailer also shows Jonathan Majors as Kang the Conqueror, the time-traveling supervillain who was seen in the Disney+ series “Loki” as an alternate version named ‘He Who Remains.’ Toward the end of the trailer, viewers will spot actor Bill Murray, a peculiar choice for inclusion in the trailer at this moment since multiple allegations of misconduct have been made against him. Murray’s role in the film is unknown.

Apple increases US subscription prices for Apple Music, Apple TV+, Apple One bundle • ZebethMedia

Today marks another blow to subscribers and their wallets. Apple increased the subscription prices for Apple TV+, Apple Music and the Apple One bundle in the U.S. — joining various other companies that have raised the prices of their subscription plans this year. Apple TV+ will increase by $2 monthly and $10 annually. Subscribers will be charged $6.99 per month or $69 per year. This will be the first time Apple TV+ has raised its subscription price since its launch, signifying a frustrating time for streaming subscribers who have seen price hikes left and right lately. Disney+, Hulu, ESPN+ and YouTube Premium’s family plan all experienced price increases this year. Apple Music is seeing a price hike of $1 for individual subscribers and $2 for families. The individual plan will now be $10.99 per month and the family plan will be $16.99 per month. In June, it was reported that Apple Music quietly increased the price of its student plan in the U.S., Canada and the U.K. Apple One is a subscription plan that bundles up to six Apple services like Apple Music, Apple TV+, Apple Arcade, iCloud+, Apple News+ and Apple Fitness+. The new prices for the individual plan, family plan and Premier plan are $16.95/month, $22.95/month and $32.95/month, respectively. An Apple spokesperson provided a statement to ZebethMedia: The subscription prices for Apple Music, Apple TV+, and Apple One will increase beginning today. The change to Apple Music is due to an increase in licensing costs, and in turn, artists and songwriters will earn more for the streaming of their music. We also continue to add innovative features that make Apple Music the world’s best listening experience. We introduced Apple TV+ at a very low price because we started with just a few shows and movies. Three years later, Apple TV+ is home to an extensive selection of award-winning and broadly acclaimed series, feature films, documentaries, and kids and family entertainment from the world’s most creative storytellers. Apple recently raised the prices for in-app purchases on the App Store in many countries across Asia and Europe.

India’s Wire retracts reports on Meta citing discrepancies • ZebethMedia

Wire has retracted its reports on Meta after discovering “certain discrepancies” in its news pieces, the Indian outlet said Sunday, marking what should be an end to the high-profile drama with the social juggernaut that captured the interest of newsrooms and tech companies globally for two weeks. The move follows Wire, a small but gutsy Indian news outlet, setting up an internal review process to evaluate its reporting earlier this week after Meta, the subject of the original story, and the independent sources it relied on vehemently denied the newsroom’s reports. “Our investigation, which is ongoing, does not as yet allow us to take a conclusive view about the authenticity and bona fides of the sources with whom a member of our reporting team says he has been in touch over an extended period of time,” Wire said in a statement. Wire reported earlier this month that Meta gave the governing party BJP’s top digital operative an unchecked ability to remove content from Instagram and ran a series of follow-ups, asserting Meta was insincere in its public denials of the reporting. In one of the stories, Wire cited what it claimed was an internal email from Meta comms Andy Stone. In another, it cited testimonies from independent security researchers vouching for the authenticity of Stone’s email to Wire. (Both Meta and security researchers have disputed the reports.) The Indian news organization said Sunday that “certain discrepancies have emerged in the material used.” “These include the inability of our investigators to authenticate both the email purportedly sent from a*****@fb.com as well as the email purportedly received from Ujjwal Kumar (an expert cited in the reporting as having endorsed one of the findings, but who has, in fact, categorically denied sending such an email). As a result, The Wire believes it is appropriate to retract the stories.” (More to follow)

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